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      An Epistemological Misalignment of Cogs in the AI-Art-Making Machine

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      Proceedings of EVA London 2021 (EVA 2021)
      AI and the Arts: Artificial Imagination
      5th July – 9th July 2021
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            Content

            Author and article information

            Contributors
            Conference
            July 2021
            July 2021
            : 277-278
            Affiliations
            [0001]School of Creative Media, City University of Hong Kong

            Kowloon Tong, Hong Kong
            [0002]Leonardo21

            Central, Hong Kong
            Article
            10.14236/ewic/EVA2021.48
            77008351-e970-4028-90d0-6fcefa04b831
            © Maslic et al. Published by BCS Learning & Development Ltd. Proceedings of EVA London 2021, UK

            This work is licensed under a Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

            Proceedings of EVA London 2021
            EVA 2021
            London
            5th July – 9th July 2021
            Electronic Workshops in Computing (eWiC)
            AI and the Arts: Artificial Imagination
            History
            Product

            1477-9358 BCS Learning & Development

            Self URI (article page): https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2021.48
            Self URI (journal page): https://ewic.bcs.org/
            Categories
            Electronic Workshops in Computing

            Applied computer science,Computer science,Security & Cryptology,Graphics & Multimedia design,General computer science,Human-computer-interaction

            REFERENCES

            1. (2020) Historical Evolution of Artificial Intelligence. Publications Office of the European Union, Luxembourg.

            2. Goldsmiths University of London (2021) Machine Learning for Musicians and Artists. https://www.kadenze.com/courses/machine-learning-for-musicians-and-artists/info (retrieved 16 March 2021).

            3. . (2019). Blackberry Winter. https://christianmioloclair.com/blackberrywinter (retrieved 16 March 2021).

            4. . (2016) Artificial Intelligence and the Arts: Toward Computational Creativity. In The Next Step: Exponential Life. BBVA, Madrid.

            5. (2018). Gods and Robots—Myths, Machines, and Ancient Dreams of Technology. Princeton University Press.

            6. and (2019). Art, Creativity, and the Potential of Artificial Intelligence. Arts, 8(26), 1-9.

            7. , , , and (1955) A Proposal for the Dartmouth Summer Research Project on Artificial Intelligence. http://www.formal.stanford.edu/jmc/history/dartmouth.html (retrieved 16 March 2021).

            8. (2019) On Defining Artificial Intelligence. Journal of Artificial General Intelligence, 10(2), 1-37.

            9. and (2020) Coding in the Liberal Arts through Natural Language Processing and Machine Learning. The Tenth AAAI Symposium on Educational Advances in Artificial Intelligence (EAAI-20), New York, New York, 7-12 February 2020, 13506-13507. AAAI Press, Palo Alto, California.

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